| 2024 |
Baby Reindeer |
Limited or Anthology Series |
| 2024 |
Baby Reindeer |
Lead Actor in a Limited or Anthology Series or Movie |
| 2024 |
Baby Reindeer |
Supporting Actress in a Limited or Anthology Series or Movie |
| 2024 |
The Crown |
Supporting Actress in a Drama Series |
| 2024 |
Ripley |
Directing for a Limited or Anthology Series or Movie |
| 2024 |
Baby Reindeer |
Writing for a Limited or Anthology Series or Movie |
| 2024 |
Baby Reindeer |
Casting for a Limited or Anthology Series or Movie |
| 2024 |
Ripley |
Cinematography for a Limited or Anthology Series or Movie |
| 2024 |
The Crown |
Contemporary Costumes for a Series |
| 2024 |
Baby Reindeer |
Picture Editing for a Limited or Anthology Series or Movie |
| 2024 |
The Crown |
Production Design for a Narrative Contemporary Program (One Hour or More) |
| 2024 |
Ripley |
Special Visual Effects in a Single Episode |
| 2024 |
Ripley |
Sound Editing for a Limited or Anthology Series, Movie or Special |
| 2024 |
The Gentleman |
Stunt Coordination for Comedy Programming |
| 2024 |
Beckham |
Documentary or Nonfiction Series |
| 2024 |
My Next Guest with David Letterman and John Mulaney |
Hosted Nonfiction Series or Special |
| 2024 |
Blue Eye Samurai |
Animated Program |
| 2024 |
Big Mouth |
Character Voice-Over Performance |
| 2024 |
Love On The Spectrum |
Directing for a Documentary/Nonfiction Program |
| 2024 |
Love On The Spectrum |
Casting for a Reality Program |
| 2024 |
John Mulaney Presents: Everybody’s in LA |
Picture Editing for Variety Programming |
| 2024 |
Blue Eye Samurai |
Individual Achievement in Animation (Character Design) |
| 2024 |
Blue Eye Samurai |
Individual Achievement in Animation (Production Design) |
| 2024 |
Blue Eye Samurai |
Individual Achievement In Animation (Storyboard) |
| 2023 |
BEEF |
Lead Actor in a Limited or Anthology Series or Movie |
| 2023 |
BEEF |
Contemporary Costumes for a Limited or Anthology Series or Movie |
| 2023 |
BEEF |
Directing for a Limited or Anthology Series or Movie |
| 2023 |
BEEF |
Lead Actress in a Limited or Anthology Series or Movie |
| 2023 |
BEEF |
Casting for a Limited or Anthology Series or Movie |
| 2023 |
BEEF |
Limited or Anthology Series |
| 2023 |
BEEF |
Writing for a Limited or Anthology Series or Movie |
| 2023 |
BEEF |
Picture Editing for a Limited or Anthology Series or Movie |
| 2023 |
Big Mouth |
Character Voice-Over Performance |
| 2023 |
Dahmer – Monster: The Jeffrey Dahmer Story |
Supporting Actress in a Limited or Anthology Series or Movie |
| 2023 |
Entergalactic |
Individual Achievement in Animation (Character Design) |
| 2023 |
Guillermo del Toro’s Cabinet of Curiosities |
Production Design for a Narrative Period or Fantasy Program (One Hour or More) |
| 2023 |
I Think You Should Leave with Tim Robinson |
Short Form Comedy, Drama or Variety Series |
| 2023 |
I Think You Should Leave with Tim Robinson |
Actor in a Short Form Comedy or Drama Series |
| 2023 |
John Mulaney: Baby J |
Writing for a Variety Special |
| 2023 |
Queen Charlotte: A Bridgerton Story |
Period and/or Character Hairstyling |
| 2023 |
Queer Eye |
Structured Reality Program |
| 2023 |
Wednesday |
Original Main Title Theme Music |
| 2023 |
Wednesday |
Contemporary Costumes for a Series |
| 2023 |
Wednesday |
Production Design for a Narrative Period or Fantasy Program (One Hour or More) |
| 2023 |
Wednesday |
Contemporary Makeup (Non-Prosthetic) |
| 2023 |
Working: What We Do All Day |
Narrator |
| 2022 |
Arcane |
Individual Achievement in Animation (Color) |
| 2022 |
Arcane |
Individual Achievement in Animation (Background Design) |
| 2022 |
Arcane |
Individual Achievement in Animation (Production Design) |
| 2022 |
Love, Death + Robots |
Individual Achievement in Animation (Character Design) |
| 2022 |
The House |
Individual Achievement in Animation (Character Animation) |
| 2022 |
Arcane |
Animated Program |
| 2022 |
Bridgerton |
Period and/or Character Hairstyling |
| 2022 |
I Think You Should Leave with Tim Robinson |
Actor in a Short Form Comedy or Drama Series |
| 2022 |
Love on the Spectrum U.S. |
Picture Editing for an Unstructured Reality Program |
| 2022 |
Love on the Spectrum U.S. |
Casting for a Reality Program |
| 2022 |
Love on the Spectrum U.S. |
Unstructured Reality Program |
| 2022 |
Love, Death + Robots |
Short Form Animated Program |
| 2022 |
Our Great National Parks |
Narrator |
| 2022 |
Ozark |
Supporting Actress in a Drama Series |
| 2022 |
Queer Eye |
Structured Reality Program |
| 2022 |
Squid Game |
Lead Actor in a Drama Series |
| 2022 |
Squid Game |
Guest Actress in a Drama Series |
| 2022 |
Squid Game |
Directing for a Drama Series |
| 2022 |
Squid Game |
Stunt Performance |
| 2022 |
Squid Game |
Special Visual Effects in a Single Episode |
| 2022 |
Squid Game |
Production Design for a Narrative Contemporary Program (one hour or more) |
| 2022 |
Stranger Things |
Stunt Coordination for a Drama Series, Limited or Anthology Series or Movie |
| 2022 |
Stranger Things |
Sound Mixing for a Comedy or Drama Series (one hour) |
| 2022 |
Stranger Things |
Prosthetic Makeup |
| 2022 |
Stranger Things |
Music Supervision |
| 2022 |
Stranger Things |
Sound Editing for a Comedy or Drama Series (one hour) |
| 2021 |
Big Mouth |
Character Voice-Over Performance |
| 2021 |
Bo Burnham: Inside |
Directing For A Variety Special |
| 2021 |
Bo Burnham: Inside |
Music Direction |
| 2021 |
Bo Burnham: Inside |
Writing For A Variety Special |
| 2021 |
Bridgerton |
Period And/Or Character Hairstyling |
| 2021 |
Country Comfort |
Cinematography For A Multi-Camera Series |
| 2021 |
David Attenborough: A Life on Our Planet |
Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera) |
| 2021 |
David Attenborough: A Life on Our Planet |
Music Composition for a Documentary Series or Special (Original Dramatic Score) |
| 2021 |
David Attenborough: A Life on Our Planet |
Cinematography For A Nonfiction Program |
| 2021 |
Dick Johnson is Dead |
Directing for a Documentary/Nonfiction Program |
| 2021 |
Dolly Parton’s Christmas On the Square |
Choreography For Scripted Programming |
| 2021 |
Dolly Parton’s Christmas On the Square |
Television Movie |
| 2021 |
Halston |
Lead Actor in a Limited, Anthology Series or Movie |
| 2021 |
Love, Death + Robots |
Individual Achievement in Animation (JURIED AWARD) |
| 2021 |
Love, Death + Robots |
Individual Achievement in Animation (JURIED AWARD) |
| 2021 |
Love, Death + Robots |
Individual Achievement in Animation (JURIED AWARD) |
| 2021 |
Love, Death + Robots |
Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation |
| 2021 |
Love, Death + Robots |
Short Form Animated Program |
| 2021 |
Love, Death + Robots |
Individual Achievement in Animation (JURIED AWARD) |
| 2021 |
Queer Eye |
Structured Reality Program |
| 2021 |
The Crown |
Lead Actor in a Drama Series |
| 2021 |
The Crown |
Lead Actress in a Drama Series |
| 2021 |
The Crown |
Cinematography For A Single-Camera Series (One Hour) |
| 2021 |
The Crown |
Drama Series |
| 2021 |
The Crown |
Guest Actress in a Drama Series |
| 2021 |
The Crown |
Single-Camera Picture Editing For A Drama Series |
| 2021 |
The Crown |
Casting For A Drama Series |
| 2021 |
The Crown |
Writing for a Drama Series |
| 2021 |
The Crown |
Supporting Actress in a Drama Series |
| 2021 |
The Crown |
Directing For A Drama Series |
| 2021 |
The Crown |
Supporting Actor in a Drama Series |
| 2021 |
The Queen’s Gambit |
Cinematography For A Limited Or Anthology Series Or Movie |
| 2021 |
The Queen’s Gambit |
Single-Camera Picture Editing For A Limited Or Anthology Series Or Movie |
| 2021 |
The Queen’s Gambit |
Sound Editing For A Limited Or Anthology Series, Movie Or Special |
| 2021 |
The Queen’s Gambit |
Production Design For A Narrative Period Or Fantasy Program (One Hour Or More) |
| 2021 |
The Queen’s Gambit |
Period Costumes |
| 2021 |
The Queen’s Gambit |
Period And/Or Character Makeup (Non-Prosthetic) |
| 2021 |
The Queen’s Gambit |
Casting For A Limited Or Anthology Series Or Movie |
| 2021 |
The Queen’s Gambit |
Sound Mixing For A Limited Or Anthology Series Or Movie |
| 2021 |
The Queen’s Gambit |
Limited or Anthology Series |
| 2021 |
The Queen’s Gambit |
Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score) |
| 2021 |
The Queen’s Gambit |
Directing For A Limited Or Anthology Series Or Movie |
| 2021 |
The Social Dilemma |
Picture Editing For A Nonfiction Program |
| 2021 |
The Social Dilemma |
Writing for a Nonfiction Program |
| 2020 |
Inside Bill’s Brain: Decoding Bill Gates |
Motion Design |
| 2020 |
American Factory |
Directing for a Documentary/Nonfiction Program |
| 2020 |
Big Mouth |
Character Voice-over Performance |
| 2020 |
Big Mouth |
Derivative Interactive Program |
| 2020 |
Cheer |
Directing for a Reality Program |
| 2020 |
Cheer |
Picture Editing for an Unstructured Reality Program |
| 2020 |
Cheer |
Unstructured Reality Program |
| 2020 |
Dave Chappelle: Sticks & Stones |
Directing for a Variety Special |
| 2020 |
Dave Chappelle: Sticks & Stones |
Variety Special (Pre-Recorded) |
| 2020 |
Dave Chappelle: Sticks & Stones |
Writing for a Variety Special |
| 2020 |
Don’t F**k with Cats: Hunting an Internet Killer |
Writing for a Nonfiction Program |
| 2020 |
Hollywood |
Period And/Or Character Hairstyling |
| 2020 |
Hollywood |
Original Main Title Theme Music |
| 2020 |
Ozark |
Supporting Actress in a Drama Series |
| 2020 |
Queer Eye |
Structured Reality Program |
| 2020 |
Stranger Things |
Sound Editing for a Comedy or Drama Series (One Hour) |
| 2020 |
The Crown |
Period Costumes |
| 2020 |
The Crown |
Production Design for a Narrative Period or Fantasy Program (One Hour or More) |
| 2020 |
The Dark Crystal: Age of Resistance |
Children’s Program |
| 2020 |
The Ranch |
Cinematography for a Multi-Camera Series |
| 2020 |
Unorthodox |
Directing for a Limited Series, Movie or Dramatic Special |
| 2019 |
Black Mirror: Bandersnatch |
Television Movie |
| 2019 |
Black Mirror: Bandersnatch |
Creative Achievement in Interactive Media Within a Scripted Program |
| 2019 |
Carmen Sandiego |
Individual Achievement in Animation |
| 2019 |
GLOW |
Stunt Coordination for a Comedy Series or Variety Program |
| 2019 |
Hannah Gadsby: Nanette |
Writing for a Variety Special |
| 2019 |
Love, Death + Robots |
Short Form Animated Program |
| 2019 |
Love, Death + Robots |
Individual Achievement in Animation |
| 2019 |
Love, Death + Robots |
Individual Achievement in Animation |
| 2019 |
Love, Death + Robots |
Individual Achievement in Animation |
| 2019 |
Love, Death + Robots |
Individual Achievement in Animation |
| 2019 |
One Day at a Time |
Multi-Camera Picture Editing for a Comedy Series |
| 2019 |
Our Planet |
Narrator |
| 2019 |
Our Planet |
Documentary or Nonfiction Series |
| 2019 |
Ozark |
Directing for a Drama Series |
| 2019 |
Ozark |
Supporting Actress in a Drama Series |
| 2019 |
Patriot Act with Hasan Minhaj |
Motion Design |
| 2019 |
Queer Eye |
Casting for a Reality Program |
| 2019 |
Queer Eye |
Directing for a Reality Program |
| 2019 |
Queer Eye |
Picture Editing for a Structured Reality or Competition Program |
| 2019 |
Queer Eye |
Structured Reality Program |
| 2019 |
Russian Doll |
Cinematography for a Single-Camera Series (Half- Hour) |
| 2019 |
Russian Doll |
Production Design for a Narrative Program (Half-Hour) |
| 2019 |
Russian Doll |
Contemporary Costumes |
| 2019 |
Springsteen on Broadway |
Directing for a Variety Special |
| 2019 |
The Ranch |
Cinematography for a Multi-Camera Series |
| 2019 |
When They See Us |
Casting for a Limited Series, Movie or Special |
| 2019 |
When They See Us |
Lead Actor in a Limited Series or Movie |
| 2018 |
Black Mirror |
Television Movie |
| 2018 |
Black Mirror |
Sound Editing For A Limited Series, Movie Or Special |
| 2018 |
Black Mirror |
Writing For A Limited Series, Movie Or Dramatic Special |
| 2018 |
Black Mirror |
Single-Camera Picture Editing For A Limited Series Or Movie |
| 2018 |
Dave Chappelle: Equanimity & The Bird Revelation |
Variety Special (Pre-Recorded) |
| 2018 |
GLOW |
Stunt Coordination For A Comedy Series Or Variety Program |
| 2018 |
GLOW |
Production Design For A Narrative Program (Half-Hour Or Less) |
| 2018 |
Godless |
Supporting Actor In A Limited Series Or Movie |
| 2018 |
Godless |
Supporting Actress In A Limited Series Or Movie |
| 2018 |
Godless |
Original Main Title Theme Music |
| 2018 |
John Mulaney: Kid Gorgeous At Radio City |
Writing For A Variety Special |
| 2018 |
Queer Eye |
Casting For A Reality Program |
| 2018 |
Queer Eye |
Picture Editing For A Structured Or Competition Reality Program |
| 2018 |
Queer Eye |
Structured Reality Program |
| 2018 |
Seven Seconds |
Lead Actress In A Limited Series Or Movie |
| 2018 |
Stranger Things |
Sound Editing For A Comedy Or Drama Series (One Hour) |
| 2018 |
Strong Island |
Exceptional Merit In Documentary Filmmaking |
| 2018 |
The Crown |
Period Costumes |
| 2018 |
The Crown |
Cinematography For A Single-Camera Series (One Hour) |
| 2018 |
The Crown |
Directing For A Drama Series |
| 2018 |
The Crown |
Casting For A Drama Series |
| 2018 |
The Crown |
Lead Actress In A Drama Series |
| 2018 |
Wild Wild Country |
Documentary Or Nonfiction Series |
| 2017 |
13th |
Writing for a Nonfiction Program |
| 2017 |
13th |
Documentary or Nonfiction Special |
| 2017 |
13th |
Original Music and Lyrics |
| 2017 |
13th |
Motion Design |
| 2017 |
Black Mirror |
Writing for a Limited Series, Movie or Dramatic Special |
| 2017 |
Black Mirror |
Television Movie |
| 2017 |
Five Came Back |
Narrator |
| 2017 |
House of Cards |
Music Composition for a Series (Original Dramatic Score) |
| 2017 |
Marvel’s Luke Cage |
Stunt Coordination for a Drama Series, Limited Series, or Movie |
| 2017 |
Master of None |
Single-Camera Picture Editing for a Comedy Series |
| 2017 |
Master of None |
Writing for a Comedy Series |
| 2017 |
Stranger Things |
Casting for a Drama Series |
| 2017 |
Stranger Things |
Original Main Title Theme Music |
| 2017 |
Stranger Things |
Single-Camera Picture Editing for a Drama Series – Chapter One |
| 2017 |
Stranger Things |
Main Title Design |
| 2017 |
Stranger Things |
Sound Editing for a Series |
| 2017 |
The Crown |
Production Design for a Narrative Period Program (One Hour or More) |
| 2017 |
The Crown |
Supporting Actor in a Drama Series |
| 2017 |
The Crown |
Period/Fantasy Costumes for a Series, Limited Series, or Movie |
| 2017 |
The Ranch |
Cinematography for a Multi-Camera Series |
| 2016 |
Bloodline |
Supporting Actor in a Drama Series |
| 2016 |
Making a Murderer |
Documentary or Nonfiction Series |
| 2016 |
Making a Murderer |
Picture Editing for a Nonfiction Program |
| 2016 |
Making a Murderer |
OutstandingWere iting for a Nonfiction Program |
| 2016 |
Making a Murderer |
Directing for a Nonfiction Program |
| 2016 |
Marvel’s Jessica Jones |
Original Main Title Theme Music |
| 2016 |
Master of None |
Writing for a Comedy Series |
| 2016 |
Patton Oswalt: Talking for Clapping |
Writing for a Variety Special |
| 2016 |
What Happened, Miss Simone? |
Documentary or Nonfiction Special |
| 2015 |
House of Cards |
Guest Actor in a Drama Series |
| 2015 |
House of Cards |
Music Composition for a Series |
| 2015 |
Orange Is the New Black |
Supporting Actress in a Drama Series |
| 2015 |
Virunga |
Cinematography For Nonfiction Programming |
| 2014 |
House of Cards |
Sound Mixing for a Comedy or Drama Series (One Hour) |
| 2014 |
Orange Is the New Black |
Single-Camera Picture Editng for a Comedy Series |
| 2014 |
Orange Is the New Black |
Guest Actress in a Comedy Series |
| 2014 |
Orange Is the New Black |
Casting for a Comedy Series |
| 2014 |
The Square |
Directing for Nonfiction Programming |
| 2014 |
The Square |
Picture Editing for Nonfiction Programming |
| 2014 |
The Square |
Cinematography for Nonfiction Programming |
| 2013 |
House of Cards |
Directing For A Drama Series |
| 2013 |
House of Cards |
Cinematography For A Single-Camera Series |
| 2013 |
House of Cards |
Casting For A Drama Series |
