Hide and Seek:
Here, the pacing is starting to pick up, even as things are filmed to slow down. Ms. Cobel has blossomed into a fabulous villain, esp. with scenes like when she sings Hymn to Kier, acapella. When she appears at Devon and Ricken’s, one wonders what kind of trouble is she trying to cause for Innie and Outie Mark? It is clear that Lumon is a cult to her, and she is its ultimate apprentice. She would probably kill for Lumon. Is Lumon a metaphor for the 2nd coming? What was Kier Eagan really up to when he created technology, pharmaceuticals, and medical procedures? Is he meant to come off as a religious figurehead?
The scenes with Gabby were interesting. She seemed aloof before, but now that Devon has run into her again, it appears that maybe she was severed during her labor. This might be why her son has a second name and her Senator husband is so pro-Severance.
Defiant Jazz:
Here, Rugabe, who administered the severance procedure and now is responsible for reintegration, returns. Now that Doug is deceased and Ms. Cobel doing reconnaissance, Milchick assumes acting boss status…and loses control of the workers very quickly.
Rugabe pretty much confirms that the severed employees are the “livestock” that Helly referred to in the pilot with her explanation as why severance exists in the first place. “Emotional convenience” is another such snap answer.
The scene where Cobel talks to the Board when Natalie appears and seems shaken by them was quite telling. Rugabe said she would contact Outie Mark, but will she eventually meet Innie Mark on the real world?
Is this series really more than just a serious variation of corporation office sitcom cliches? Is there really a philosophical stance about exploiting children? Watch and find out.
What’s for Dinner:
The We We Are:
