All 14 of Stephen King’s Restricted TV Sequence, Ranked

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The books of Stephen King, America’s hottest nice writer, have been tailored dozens of occasions for movie and tv. So many occasions, actually, that it takes a number of weeks simply to look at the restricted collection that bear his identify. There are a lot of minis, each variations of his books and unique screenplays that he wrote. Some are each without delay. I watched all of them, and not solely am I a resident of Maine with psychic talents, however I can rank all of TV’s Stephen King restricted collection, from the unique Salem’s Lot to the model new tackle The Stand that is at the moment streaming on CBS All Entry.

Earlier than I get to that, although, I have to clarify the methodology of what qualifies for the listing and what would not. This listing will solely embody intentional limited-run exhibits. Meaning exhibits that ran for one season and had been canceled usually are not included, so no The Outsider or Kingdom Hospital. And clearly it means no exhibits that ran for a couple of season; my apologies to all of the Domeheads on the market. Castle Rock is excluded as a result of though its two seasons informed totally different tales, it nonetheless ran for 2 seasons. The quick story anthology collection Nightmares & Dreamscapes is OK, although, as a result of it was at all times meant to be a restricted run. That each one is smart, proper? Nice, let’s go. 

Listed below are all 14 Stephen King restricted collection, ranked from worst to greatest.

 
 

14. The Langoliers (1995)

It isn’t honest to choose on outdated exhibits for his or her lackluster particular results, however boy oh boy are the results in The Langoliers dangerous. Even by 1995 requirements, the titular interdimensional demons are horrible laptop animation. They seem like the Flying Toasters screensaver.

Sadly, nothing else works effectively on this two-part ABC adaptation of the novella from King’s 4 Previous Midnight assortment, both. It is a Twilight Zone-esque story a couple of aircraft that flies by way of a wormhole and a lot of the passengers vanish, and the one survivors are individuals who had been asleep when it occurred. They try to make it again to their time and place earlier than they too are eaten by monsters and erased from existence. It is a enjoyable premise, however the dialogue is tacky, the plotting is sloppy, the pictures lack power, the time journey guidelines are not possible to comply with, and the entire thing feels prefer it was made as cheaply as doable. Probably the most fascinating half is Bronson Pinchot‘s unbearably hammy efficiency as Craig Toomey, a businessman who would not care that he is in an alternate dimension, he has to get to an vital enterprise assembly RIGHT NOW! He is horrible, however he is having enjoyable, and that is one thing to latch onto when the remainder of the present is so listless. 

 
 

13. The Tommyknockers (1993)

The Tommyknockers is taken into account certainly one of Stephen King’s worst books, even by King himself, and it did not make for miniseries, both. This ABC two-parter adapts one of many solely occasions King ever tried science fiction, and the low-budget, rushed manufacturing did not have the juice to make the overstuffed novel right into a workable present. 

The Tommyknockers is about in a typical Stephen King Maine city (that occurred to be filmed in New Zealand, of all locations) the place bizarre stuff occurs, solely this time, as a substitute of supernatural horror, it is aliens. The titular body-snatchers are some inexperienced guys from outer house who exert psychic management over the residents of Haven after novelist Bobbi Anderson (Marg Helgenberger) uncovers a spaceship that glows chartreuse gentle buried in her yard. Everybody on the town falls beneath the sway of the invaders besides Bobbi’s boyfriend, Jim Gardner (Jimmy Smits), an alcoholic poet whose thoughts is protected as a result of he has a metallic plate in his cranium. The Tommyknockers has some enjoyable concepts, like a facet impact of Tommyknocker affect that makes everybody on the town give you loopy, sophisticated innovations to do easy duties like crack eggs. The issue is it has too many concepts and never sufficient of the rest, like a narrative that is smart, or good particular results, or scares. 

The film Needful Things got here out the identical yr as this restricted collection, and whereas it isn’t one of many higher King variations, it tells an identical story a couple of city being destroyed by a malevolent interloper in a way more satisfying method. Actually, I might quite see a Needful Issues miniseries (the huge e book was underserved by the film) than the new Tommyknockers movie that James Wan was growing. 

 
 

12. Nightmares & Dreamscapes: From the Stories of Stephen King (2006)

This one is totally different than each different present on this listing in that it is an anthology collection, with each episode an adaptation of a special King quick story. It is an important concept, however sadly this eight-episode TNT collection would not reside as much as the promise. 

The episodes come down on the improper facet of campy. The silliness is greatest typified by “Battleground,” the place Academy Award-winning actor William Hurt performs a hitman who battles a battalion of toy troopers who’re retaliating in opposition to him for assassinating a toy firm CEO. The episode is solely with out dialogue. It was the primary episode of the present to air. Decisions had been made.

It appears fairly tough to adapt King’s horror shorts, as a result of they typically have a gimmick that may play as comedic, and the horror will get misplaced in translation from web page to display. However a brief story anthology collection remains to be a good suggestion, and somebody (Hulu, I am taking a look at you) ought to strive it once more with scarier tales, a much bigger finances, and a straighter face.  

 
 

11. Bag of Bones (2011)

This A&E two-parter arrived at a between-time, too late for King’s ’90s-to-mid-’00s broadcast TV run however earlier than the status reboot of King variations that got here just a few years later. The ultimate King miniseries directed by frequent King collaborator Mick Garris, it is the final of the quick episode run, thriftily made, old-style King restricted collection variations, and there is a cause for why they took a break after this one. Bag of Bones feels uninspired, prefer it’s making an attempt to do one thing that used to work however would not anymore. 

Pierce Brosnan stars as Mike Noonan, an writer reeling from the tragic dying of his spouse, Jo (Annabeth Gish). He is affected by author’s block, and travels to their summer season cabin on Darkish Rating Lake in Maine. He will get concerned making an attempt to assist a neighborhood widow, Mattie Devore (Melissa George), win a custody battle in opposition to her father-in-law. Mattie killed her husband when he tried to drown their daughter, and her father-in-law appears to have his personal sinister motives for why he needs Kyra (Caitlin Carmichael). Mike additionally has desires which can be visions and feels Jo’s presence in the home, in addition to the presence of Sara Tidwell (Anika Noni Rose), a singer who died in 1939. Collectively, Mike and Mattie try to unravel the mysteries of why Jo was conserving secrets and techniques from Mike when she died, what occurred to Sara Tidwell, and why males who reside round Darkish Rating Lake have an alarming tendency to homicide their daughters. 

The novel Bag of Bones is not certainly one of King’s most memorable, and it would not get elevated on this curiously campy piece. Brosnan goes very broad in a method that does not befit such a haunted character. His efficiency is only one of many odd selections, from the pop-punk soundtrack to the plodding tempo. Worst of all is the climactic act of racialized, sexualized violence, which might have been rightly condemned on Twitter had this present been made even one yr later than it was. General, the heaviness of the subject material clashes with the campy tone and makes Bag of Bones untenably discordant. 

 
 

10. Golden Years (1991)

Golden Years is the primary TV present Stephen King wrote, and isn’t as completed as a few of the ones he would do later, like The Stand or Storm of the Century. It is type of an obscure curiosity from a second within the early ’90s when networks had been looking for the subsequent Twin Peaks. Golden Years, which ran for seven episodes on CBS in the summertime of 1991, was conceived as a barely off-kilter and campy drama within the tonal vein of David Lynch‘s sensational collection. It informed a closed-ended story over the course of a single season however had the potential to come back again for an additional season if it was profitable. It was not profitable. 

Golden Years is about Harlan Williams (Keith Szarabajka), a 70-year-old janitor at a authorities laboratory who will get uncovered to a top-secret chemical throughout an explosion and begins quickly Benjamin Buttoning. An agent tasked with containing the fallout (Felicity Huffman in certainly one of her earliest roles) takes mercy on Harlan and his spouse Gina (Frances Sternhagen) and helps them go on the run away from Jude Andrews (R. D. Call), a blue-collar, Chicago-style murderer who was her associate. 

It is a gentle sci-fi romp that is entertaining sufficient to carry one’s consideration however not sufficient to go away a lot of an enduring impression. The outdated age make-up on Szarabajka is surprisingly good, Bill Raymond provides a enjoyable, over-the-top efficiency because the evil, shouty physician operating the lab, and there are supporting appearances by impossibly younger character actors Stephen Root and Margo Martindale. However total, it seems like King experimenting with a type and a style he hadn’t mastered. 

 
 

9. Rose Red (2002)

The second ABC miniseries with an unique script by King directed by Craig Baxley is inferior to their first collaboration, Storm of the Century, but it surely’s nonetheless a robust piece of leisure that makes use of the immortal framework of Shirley Jackson’s novella The Haunting of Hill Home to inform a basic haunted home story. 

The plot is basically a retelling of the Hill Home story, closely influenced by the 1963 movie adaptation The Haunting, with much more King trademark psychic stuff. Nancy Travis performs a psychology professor whose analysis explores the paranormal. She assembles a workforce of diversely gifted psychics to spend a weekend together with her in a dormant haunted home often called Rose Purple in an try to attract the spirits out. Her plan, in fact, works too effectively, because of the presence of a strong psychic teenager with autism named Annie Wheaton (Kimberly J. Brown) and Steve Rimbauer (Matt Keeslar), a descendent of the girl who constructed the home who has a robust psychic connection to the spirits that reside in Rose Purple. As they begin getting picked off, they need to battle to outlive. 

Rose Purple is precariously balanced on the road between being an homage to a basic and being overly by-product of that basic. It finally ends up working as a result of it is plenty of enjoyable, with an important hammy jerk efficiency by Matt Ross (“Save the warnings for somebody who’s not broke!”) and a few actually efficient scares. Plus the manufacturing design on the consistently altering home is de facto spectacular. 

 
 

8. It (1990)

It is inferior to you bear in mind. Tim Curry as Pennywise the Dancing Clown is great nightmare gasoline, however aside from him, most of this 1990 ABC two-parter is fairly middle-of-the-pack. In 2020, the appearing would not maintain up. It feels dated. Watching Richard Thomas and Harry Anderson exaggerate their line readings is like watching basketball with out the three-point line.  

The present follows a bunch of seven associates who name themselves the Losers Membership, since they’re the freaks and weirdos of the city of Derry, Maine, as they battle a murderous supernatural entity they only name “It,” first as kids, then as adults when it comes again. It is about friendship and rising up and dealing with one’s fears. 

It was a giant hit when it aired and laid a profitable basis not just for subsequent Stephen King TV variations but additionally for future televised horror as a complete. It helped the looked-down-upon style enter the mainstream in a giant method, and the present is remembered fondly/frightfully by the legions of ’90s youngsters who watched it on VHS. But it surely’s extra influential than it’s good. You in all probability bear in mind Pennywise’s tooth, however you do not bear in mind Richard Thomas’ lengthy ponytail.  

 
 

7. Salem’s Lot (2004) 

TNT returned to Salem’s Lot for this two-parter. Like the brand new model of The Stand vs. the 1994 model of The Stand, this miniseries adjustments so much about King’s novel compared to the sooner, extra trustworthy adaptation. It is inferior to Salem’s Lot 1979, however a lot nearer in high quality than you would possibly anticipate. 

This model tells the identical story because the novel and the 1979 restricted collection, a couple of author returning to his small Maine city because it suffers an epidemic of vampirism and teaming up with some locals to battle the monsters. A few of the adjustments the brand new Salem’s Lot makes are nice, particularly an expanded half for the flawed priest Father Callahan (the good James Cromwell), who’s certainly one of King’s greatest characters and was largely eliminated within the unique adaptation, however some are ill-advised, like casting Andre Braugher as Rob Lowe‘s former center college instructor regardless of Braugher being simply two years older than Lowe. In reality, Lowe in all probability wasn’t the only option to play Ben Mears, as his efficiency is weirdly amateurish in its failure to speak emotion. However the weak lead efficiency is propped up by an important supporting forged, together with Braugher, Cromwell, and a scenery-chewing Donald Sutherland as vampire’s assistant Richard Straker, in addition to a robust script by Peter Filardi that has some clever dialogue and well-deployed adjustments from the supply materials. 

 
 

6. The Stand (2020)

Jovan Adepo and James Marsden, <em>The Stand</em>Jovan Adepo and James Marsden, The Stand

Doing The Stand on a streaming service in 2020 gives many benefits that weren’t accessible to the producers of the 1994 model. The brand new one has TV-MA content material that the ABC version could not, vastly higher particular results, and extra pure appearing that serves the story higher than heightened mid-’90s TV appearing. It additionally frees up the inventive workforce led by Josh Boone and Benjamin Cavell to strive a brand new story construction that the very trustworthy and linear 1994 adaptation could not. The Stand delivers on the technological enhancements, however the brand new construction, which depends closely on Lost-style speedy flashbacks and flashforwards, takes some getting used to, particularly for followers of the novel. 

The Stand is the story of a man-made pandemic that wipes out over 99 % of the world’s inhabitants. The American survivors band collectively in two teams, the great guys rallying round Mom Abigail (Whoopi Goldberg) in Boulder, and the dangerous guys beneath Randall Flagg (Alexander Skarsgård) in Las Vegas. It follows a sprawling forged’s particular person journeys by way of the apocalypse into the rebuilding course of. They had been sure individuals residing prescribed lives earlier than, they usually develop and alter into totally different individuals within the new world. 

The largest drawback with the brand new construction is that it makes these journeys really feel much less earned, as we do not see the gradual development of a personality. The present jumps round a lot that it may be exhausting to comply with at occasions. It is a daring change, and a obligatory one to distinguish this model of The Stand from the earlier restricted collection and the novel. However the adjustments present that Stephen King actually bought it proper the primary time. 

This isn’t to say that The Stand 2020 is dangerous, as a result of it is not. It will get higher because it goes on, with robust performances throughout the ensemble and a very spectacular scope that the lower-budget 1994 model could not match. It has a extra numerous forged, provides again some characters that had been sadly minimize from the sooner adaptation, and has a lot better villains. Julie Lawry (Katherine McNamara), Lloyd Henreid (Nat Wolff), the Garbage can Man (Ezra Miller — it takes some time for him to point out up, however he is superb when he does), and particularly Alexander Skarsgård as a really seductive and menacing Randall Flagg are all completely realized. 

 
 

5. The Shining (1997)

Stephen King famously would not like Stanley Kubrick‘s adaptation of The Shining. Even in spite of everything these years, he nonetheless thinks Kubrick did not do proper by certainly one of his most private novels, not too long ago telling the New York Times, “I do not just like the arc that Jack Nicholson runs as Jack Torrance. As a result of it is not actually an arc — it is a flat line. He is loopy from the soar.” King’s personal adaptation is far nearer to the spirit of his novel, which is non-metaphorically a couple of man within the grips of alcoholism.       

In 1997, King reconvened along with his frequent collaborator Mick Garris to make a three-part restricted collection for ABC, one which’s tellingly stylized as Stephen King’s The Shining (up yours, Kubrick!). Steven Weber performs Jack Torrance, a author making an attempt very exhausting to take care of his sobriety after some very critical incidents of alcohol-fueled rage have put him on the verge of shedding his household. He will get employed to be the winter caretaker of the Overlook Lodge in Colorado, which will get utterly minimize off from the world in the course of the winter. He brings his loving however fed-up spouse Wendy (Rebecca De Mornay) and their 7-year-old son Danny (Courtland Mead) with him. Danny has psychic powers that join him to the lodge, which has its personal powers, and issues go dangerous, as a result of the lodge itself is evil. It needs Danny, and it is going to get to him by way of Jack by driving him loopy — and to drink. 

The prolonged runtime permits for extra psychological drama, and Jack Torrance’s arc is unquestionably higher outlined than it’s within the film. But it surely’s not honest to truly examine Stephen King’s The Shining to Stanley Kubrick’s, since Kubrick’s is a masterpiece and this one is nice for a mid-’90s broadcast miniseries. It is the best-made of King’s ABC exhibits, and received Emmys for its very scary make-up and sound enhancing. It was filmed on the precise lodge, the Stanley Lodge in Estes Park, Colo., that impressed The Shining. The performances and the script are robust. If Kubrick’s The Shining did not exist, this could do as a definitive adaptation, but it surely’s very exhausting for this Shining to exist within the shadow of true greatness. It’ll be a problem for the upcoming HBO Max prequel series Overlook as effectively.   

 
 

4. The Stand (1994) 

This 1994 ABC miniseries is a marvel of effectivity. King, who wrote the script, distilled his longest novel into a decent four-episode, six-hours-without-commercials collection that not solely retains all the vital plot factors, however manages to carry on to plenty of the vital character items, too. The expansion skilled by characters like Larry Underwood and Frannie Goldsmith feels earned regardless of going down over the course of minutes as a substitute of dozens and dozens of pages. King and director Mick Garris did a formidable job of preserving the spirit of the apocalyptic epic regardless of working within the very constrictive format of broadcast miniseries. From a narrative standpoint, The Stand works remarkably effectively, conserving observe of an unlimited variety of characters and shifting alongside at a brisk tempo. Nothing that did not make it in from the e book seems like a tragic loss.

Not every little thing else works so effectively. The finances appears to have been curiously allotted. There are dozens of places, and the present was filmed all around the nation, however a few of the units look chintzy. There is a riot in New York Metropolis that takes place in the course of the day with about 30 extras. And it was all filmed on low cost movie that makes it seem like, effectively, a finances miniseries from the mid ’90s. And whereas a lot of the performances, like Gary Sinise as Stu Redmond, are participating, arguably an important one would not work in any respect. Plain-faced Jamey Sheridan simply is not seductive or menacing as Randall Flagg. I imply, he has a mullet, for crying out loud. Alexander Skarsgård is light-years higher. However a weak Flagg would not cancel out the unforgettable eeriness of the primary episode’s opening credit, the place a handheld digital camera glides over dozens of useless our bodies in an deserted navy base whereas “Do not Concern the Reaper” performs. That scene alone would give it a slight edge over the 2020 model, even when the collection as a complete weren’t the better-written one. 

 
 

3. 11.22.63 (2016)

The present period of status Stephen King variations started with this Hulu restricted collection based mostly on King’s barely grammatically totally different 2011 novel 11/22/63. Andy Muschietti‘s It kicked the renaissance into overdrive in 2017, however a yr and a half earlier, 11.22.63 began it. The time journey thriller stays among the best of the current wave of variations, together with films and TV. It is also distinctive as the one restricted collection adaptation of a non-horror King story thus far. 

Stephen King was 16 when John F. Kennedy was assassinated, and like each different American who remembers the occasions of that day, he has maintained a fascination with it, studying about all of the conspiracy theories and imagining what would have occurred if the president hadn’t been killed. However in contrast to most People, King wrote a novel about it, and that novel bought picked up by superproducer J.J. Abrams, who used his clout to get it made right into a big-budget, eight-part (earlier King miniseries tended to high out at 4) restricted collection. 

A tired-looking James Franco stars as Jake Epping, a not too long ago divorced, underachieving highschool English instructor from Lisbon, Maine, who will get drafted by his pal Al Templeton (Chris Cooper) to journey again to 1960 by way of a portal in Al’s diner and stop the JFK assassination, which might theoretically then stop the escalation of the Vietnam Struggle, the assassination of Bobby Kennedy, and all types of different horrible occasions. He is supposed to watch the murderer Lee Harvey Oswald to see if Oswald acted alone, after which cease him and whoever else might have been working with him. However issues in fact do not go based on plan, as Epping will get intimately concerned within the early ’60s lives of faculty librarian Sadie Dunhill (Sarah Gadon) and erratic bartender Invoice Turcotte (George MacKay). Numerous issues try to cease him from finishing up his mission, together with the previous itself, which does not need to be modified. 

The present is saved wanting greatness as a consequence of some underdeveloped supporting characters and abrupt narrative transitions, but it surely has plenty of stuff that works very well. Author and government producer Bridget Carpenter oversaw a superb alternative to interrupt it up into honest-to-God TV episodes quite than go the “eight-hour film” route that at all times results in flabbiness, so each episode feels distinct and propulsive. There’s plenty of nice rigidity (Josh Duhamel provides an intimidating visitor efficiency because the violent father of Epping’s pal), and spectacular performances from MacKay and Daniel Webber, who nails Lee Harvey Oswald’s peculiar voice and finds actual pathos within the alienated character.  

 
 

2. Salem’s Lot (1979) 

The very first TV adaptation of a Stephen King e book — and solely the second adaptation ever, after Brian De Palma‘s Carrie — set a excessive commonplace for King variations that’s nonetheless virtually by no means bested. The 2-part vampire story is a basic not solely amongst King variations however amongst vampire films typically, and created the template for televised King variations for the subsequent 35 years. 

The story, which got here from King’s second printed novel, has lots of the components that turned King signatures: a small city overrun by very dangerous supernatural issues, a author as a essential character, the lack of innocence. It follows Ben Mears (David Soul, scorching off Starsky & Hutch), a slick writer who returns to his rural Maine hometown to work on a e book in regards to the Marsten Home, an deserted mansion rumored to be haunted, which Mears is aware of is not any rumor. Mears is just not the one one within the Marsten Home, although, which is being rented by mysterious newcomers to city, a person named Straker (James Mason) and his unseen affiliate Barlow, who it seems is a horrifying, Nosferatu-esque vampire. Because the plague of vampirism spreads all through the city, it falls to Mears, his former instructor Jason Burke (Lew Ayres), and native child Mark Petrie (Lance Kerwin) to cease Straker and Barlow. 

The miniseries, which was produced by Warner Bros. and aired on CBS in November 1979, was directed by Tobe Hooper, who just a few years earlier had etched his identify in horror historical past with The Texas Chain Saw Massacre. Salem’s Lot is completely totally different from that seminal slasher, demonstrating how versatile a filmmaker Hooper was. Airing on broadcast TV meant Salem’s Lot could not be too terrifying, so Hooper imbued it with a thick fog of spooky ambiance as a substitute. That fog is literal within the present’s most memorable scene, the place a floating, undead boy scratches at his brother’s window, asking to be let in. (The float impact was created by placing the actors on a growth crane as a substitute of utilizing wires, which made it much more uncanny.) 

 
 

1. Storm of the Century (1999)

ABC’s 1999 three-parter Storm of the Century is one other unique script written by King himself. The writer described it within the introduction to the printed paperback model of the screenplay as a “novel for tv,” which sounds prefer it might be a pretentious designation, however on this case is impressively correct. Greater than some other King miniseries, even ones he tailored from his personal books, Storm of the Century seems like a Stephen King novel.

A part of why it seems like that’s as a result of there isn’t any novel to match it to, and a part of it’s as a result of it is so very King-y. Like so many different King tales, it is a couple of small Maine city (an remoted island off the coast referred to as Little Tall Island) beneath siege by a malevolent supernatural entity (an historical demon named Andre Linoge [Colm Feore]) that makes use of psychic powers to divide and kill the city’s residents. He seems simply earlier than a blizzard cuts the island off from the mainland, and turns the island right into a colony of ache as he pressures the townspeople into giving him what he needs. Linoge is like It‘s Pennywise and Needful Issues‘ Leland Gaunt, whereas city constable Mike Anderson (Tim Daly, whose Wings co-star Steven Weber additionally starred in a King miniseries two years earlier) is an upstanding hero like Salem’s Lot‘s Ben Mears or The Stand‘s Stu Redmond. Even deeper than character or plot similarities, although, the vibe seems like a King novel in a method that generally will get misplaced in translation from web page to display. It is felt most clearly in a few of King’s signature dialogue quirks. There’s using a phrase that does not exist anyplace else that King treats like one thing everybody is aware of (in Storm of the Century, the time period “fairy saddle” is used to check with a birthmark on a personality’s nostril, which isn’t what a “fairy saddle” refers to outdoors of King’s mind; it usually refers to a tuft of fur on a corgi’s back), and humorous/scary traces of catchphrase-like dialogue that burrow into your head: “Born in sin, come on in,” and, particularly, “Give me what I would like, and I am going to go away.”

It is the latter line, repeated time and again by Linoge, that is the important thing to why Storm of the Century is so memorable. Feore’s supply is placid, which makes Linoge much more inscrutable and chilling. Feore is mainly doing a Hannibal Lecter impression, with a fey, barely amused demeanor like a child who stomps on an anthill and watches the ants scurry, and although it isn’t a very distinctive or deep efficiency, it is exhausting to neglect. Underplayed menace has a method of getting beneath your pores and skin. A well-developed sense of place and a glum ending additionally add to Storm of the Century‘s effectiveness. It is cohesive in a method that is uncommon and satisfying. King himself agrees. He not too long ago stated it is his favorite of all his TV tasks.

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